The Earth on March 6, 2010. What were you up to when this was taken?
See more pictures from the NOAA-NASA GOES Project.
The Richmond Bridge is kind of the redheaded stepchild of the Bay Area's three major bridges (the other two being the very much appreciated Golden Gate and the Bay Bridge). It was a low-budget affair when it was built, and as a result, it looks a bit like an erector set in the middle of the bay, especially when compared with the beauty of the other two bridges.
One benefit of the Richmond Bridge is the awesome views of San Francisco, Mt. Tam, the Bay, and glimpses of the Golden Gate. The other is that it connects the East Bay to my hometown, San Rafael.
I'd been wanting to get a shot that shows off the Richmond-San Rafael Bridge in its best light for some time. I think I might have come close here, but I still want a few more shots with other sunset conditions.
Here are a few fun facts about the Bridge:
* The bridge first opened September 1, 1956
* It is officially called the John F. McCarthy Bridge, although no one calls it that
* The bridge measures 5.5 miles (29,040 feet) long. At the time it was built, it was one of the world's longest bridges
* The bridge recently underwent a retrofit to make it more earthquake-safe. The retrofit is intended to allow the two-tier bridge to withstand a 7.4 magnitude earthquake on the Hayward Fault and an 8.3 magnitude quake on the San Andreas Fault
Canon 5D, Canon 70-200L f//4, f/6.3@ 20s, ISO 50. No filters.
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I spent this past weekend down in LA, my first visit back since I moved up to the Bay Area last July. It was great to see friends and visit some of my old haunts.
I'm a Bay Area native and I never want to leave again, but there is something unique about SoCal's sunsets on the beach. There's a golden quality of light that is rare here but just radiates there almost every afternoon.
I didn't take my camera out of the bag all weekend because it was raining there, so this is a photo from last year.
Canon 5D, Canon 24-70L, f/9 @ 15s, ISO 50. No filters.
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Since I'm from the Marin side of the bridge, I don't have as many shots of the Golden Gate from the SF side. This is a shot I've been wanting to take for awhile, and the timing happened to work out to try it last night. Thanks to my aunt Hollis for hanging out with me while I took this!
Canon 5D, Canon 100-400L, f/16 @30s, ISO 50. No filters.
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The seafoam rushed in and out, making interesting patterns on the rocky shore of Marshall's Beach on a clear day back in November. I got soaked that day!
Canon 5D, Canon 24-70, f/22 @ 1/5, ISO 50. Tiffen circular polarizer.
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Last fall I visited Yosemite on what must have been one of the most gorgeous weekends ever. The fall color was full on, the sky was a deep blue, and it was a balmy 70 degrees. I took this image at popular Valley View, which is stunning in all seasons and lighting conditions. I know this view has been shot to death, but I have to add one more.
Canon 5D, Canon 24-70L, f/20 @ 1/13, ISO 50. Tiffen circular polarizer, Lee .9 hard GND.
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Northern California's weather is pretty predictable, except during winter and spring storms, and especially during an El Nino year.
Huge cumulus clouds like this are a rarity over the City, so it has been pretty awesome to see them over the past couple of weeks!
Taken from Hawk Hill in the Marin Headlands.
Canon 5D, Canon 24-70L, f/20 @ 2s, ISO 50. Lee .9 Hard GND.
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I *love* springtime in Northern California. The rains transform the hills into a rolling emerald landscape. It's gorgeous! It's a little early in the season for this much green, but the rain started early this year so I'm looking forward to an extended 'green season' this spring.
Canon 5D, Canon 24-70L, f/8 @ 1/100, ISO 50. No filters.
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I shot this photo about 10 minutes after Mount Tamalpais Dreamscape back in December.
It had been a drizzly, gray day in San Francisco, and I took a chance on driving up to the slopes of Mt. Tam for sunset. It turned out to be a good bet... not only did the clouds break around 2,000 feet, but a gorgeous sunset was going on in the sky! It's rare to have fog and high clouds at once in the Bay Area, so this was an evening to remember.
Canon 5D, Canon 24-70, f/2.8 @ 20sec, ISO 50.
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There is something so romantic about rolling hills covered in grape vines, especially when they are so vibrantly green!
All the rain that Northern California has been getting is turning the Golden State into the Verdant State. I hope to get out and photograph the amazing emerald landscape early this spring before it turns into rolling hills of gold again.
I think I took hundreds of photos of bikes leaning photogenically against walls in Holland and Belgium. This was one of my favorites because of the color consistency balanced with texture variety throughout the image.
Bruges, Belgium
Canon 5D, Canon 24-70L
The giant redwood forests of Humboldt County are one of my favorite places in California. They're just magical. It's easy to imagine fairies or elves running around in the wood sorrel and ferns carpeting the forest floor.
It's also incredibly lush and green. This photo was taken last summer when California's drought was particularly severe.
Photographing forests is tricky because of the dark shadows and low light. You definitely need a tripod, and the best time to photograph is soon at dawn and dusk to get as even lighting as possible. A really overcast day can do the trick, too. Either way, you'll probably need a long exposure, which means you'll need calm winds if you don't want motion blur in your image.
Canon 5D, Canon 24-70L, f/16 @ 8s, ISO 50. No filters.
The Grand Place is a surprisingly difficult photographic subject. The Hotel de Ville (the building pictured here) is REALLY tall, and the square is relatively small compared to the building's height. So without a tilt-shift lens on hand, you're looking at using the widest possible lens you have and dealing with a lot of perspective problems. I tried to correct some of it in Photoshop, and this was as close as I could get.
Aside from the difficulties of composition, the Grand Place is a beautiful and photogenic place in the heart of Brussels. I loved the twilight blues and pinks in the clouds at dusk. The warmth of the light makes it look warm and inviting, but in truth it was about 15* fahrenheit when I took this... brrr!!!
A beautiful low fog flowed through the Bay a few mornings ago. I captured this image when the alpenglow was at its best from my roof in the Berkeley Hills.
Canon 5D, Canon 100-400L, f/11, 1/2 sec, ISO 50. No filters.
I loved watching the graceful swans in Bruges, Belgium. This sleepy swan tucked in for a nap in the snow.
This view of San Francisco is taken from the south side of the city, looking almost due north. It's a less common view of the skyline, with the Transamerica Pyramid nearly hidden, and the industrial side of the city on display. I like this view for the movement and curves of the freeways leading into the heart of the city -- thus the title :)
Canon 5D, Canon 100-400L, f/11 @ 15s, ISO 50. No filters.
Bruges is one of the quaintest towns in Europe, which is both the best and worst thing about it. It is small and a magnet for tourists, so while it is not entirely authentic, it is also a must-visit place because of its medieval charm and beauty.
Bruges was one of the wealthiest cities in Europe for a short period in the Middle Ages due to its cloth trade. When the river that connected it to the North Sea silted up and cut off the trade route, the city faded into obscurity until the 20th century, when it was dusted off as a top tourist destination in Belgium.
Apparently in the summertime it is nearly impossible to get around because it is packed full of visitors. In the dead of winter, it was nearly deserted and beautiful with a veneer of ice and snow.
Canon 5D, Canon 24-70L. Blend of two exposures at f/5.6 @ 1/20 and 1/100 to balance the light on Bruges Tower and the shadowy, icy water. ISO 125. No filters.
I lived in Boston for 2 years and I love coming back to it. To me, Boston is one of those cities that the more it changes, the more it stays the same.
It was *cold* when I arrived in Boston for the Christmas holidays -- in the single digits with wind chill -- and the Charles was frozen very early in the season. I took the opportunity to nab a shot of the skyline's icy reflection amidst an interesting, windy sunset.
Canon 5D, Canon 24-70L, f/5.6 @ 30s, ISO 50. No filters.
I just returned from a three-week trip to New England, Holland, and Belgium. I have way too many photos to process!
This photo was taken on New Year's Day on the Oudezijds Voorburgwal canal in the Red Light District. The church in the distance is Sint Niklaaskerk.
Amsterdam was a stunningly beautiful city, made even prettier by the rare snow that fell throughout the week I was there. I loved wandering along the canals, each prettier than the next, at sunrise and blue hour.
Canon 5D, Canon 24-70, f/13, 30s, ISO 50. No filters.
After seeing Bats and mrperry's photos from the Carnelian Room in San Francisco, I couldn't pass up the chance to shoot from it before it closes for good on New Year's Day. The bar was packed when I arrived just before sunset, but luckily a view table opened up within a few minutes. While I got the impression that tripods weren't exactly welcome, I set it up on its smallest, least-intrusive position and attached a cable release so I could shoot while sipping a martini and acting casual. :)
The view really is incredible. Looking down 52 floors to the street below instantly induces vertigo (if the stiff drinks don't already!) and looking straight across to the tippy-top of the Transamerica Pyramid is a pretty inspiring view. I wasn't as lucky with the epic fog show that Bats and mrperry had, but I did have a nice clear evening with some high clouds and an interesting sunset. The twilight blues cooled as the warm lights came on in the city and big freighters and little ferries came and went. Unforgettable.
I hope you enjoy one of the last views from the Carnelian Room!
Canon 5D, Canon 24-70L, f/11 @25s, ISO 50. No filters.
There seemed to be a lid on San Francisco yesterday. The sky was a dull gray, and a near-constant light drizzle dampened the city. I had all but given up on an interesting shoot for sunset, but I thought that despite the high fog layer, that maybe the fog would top out below 2000 feet. So I headed to the "roof" of the Bay Area: Mt. Tamalpais.
The fog was so thick on the way up windy highway one that it was pretty harrowing with all the hairpin turns. Finally, as I headed up Pantoll Road, I broke through the fog, and was treated to an incredible view: a broken sea of fog out over the Pacific, and fog pouring over the hillsides from the inland side, like a giant ladling cream.
Since I arrived right at sunset, I didn't have much time to scout out a location so I headed directly for a location I'd picked out on an earlier visit. I was in luck: that particular ridge wasn't being bathed in fog.
I used a moderately long exposure (13 seconds) to show the movement in the fog. I also used GNDs to balance out the bright sky. I only saw one other car on the top of Mount Tam. Here's the sunset that everyone else in the Bay Area missed!
Canon 5D, Canon 24-70L, f/22 @ 13s, ISO 50. 2-stop soft and 3-stop hard Lee GND filters.
The sun finally came out this afternoon and cast some incredible light on the bay. The tide was coming in and the rippling current caught the light, like a river of gold.
I loved the patterns in the water, kind of like moire.
Canon 5D, Canon 100-400L, Canon 2x extender (680mm), f/11 @ 1/320, ISO 50. No filters.
This shot has been on my list for some time, but I've been waiting for the holiday lights on the Embarcadero.
I got here a little later than I wanted to because I got distracted by the beautiful alpenglow sunset reflecting on the bay. By the time I walked over to Pier 7, it was nearly dark. I'd like to try this shot again this season when there are some clouds in the sky.
I wanted to use a small aperture for the starring effect on the lamps, but found that most of my shots had weird flares (like the one in this shot), no matter what lens I used. Anyone know why that is? I haven't run into this before.
Canon 5D, Canon 24-70L, f/16 @ 80s, ISO 50. No filters.
[click on the image to view larger.]
Usually I don't go for Photoshop tricks like this, but a client requested a San Francisco panorama with only the Golden Gate in color. I have to admit that I kinda like how it came out! :)
This panorama was taken during the holiday season last year.
I love Christmastime in San Francisco. The holiday lights are on on the Embarcadero and Pyramid, there are festive trees and decorations everywhere, and best of all, there's no slushy snow to contend with.
...except for today. It snowed on the mountains around the Bay Area, and for a brief time, it even sleeted in downtown San Francisco!
Unfortunately I couldn't go out and photograph it until the light was almost gone tonight. Maybe I'll get lucky and it'll snow again in San Francisco... sometime in my lifetime!
For the locals who are interested, here are the recorded dates of snowfall in San Francisco, from ggweather.com/sf/snow.html:
Year Day Amount Remarks
1856 Dec 25 White Christmas!
1868 Jan 12
1882 Dec 31 Snow fell from 11:30am to 4:20pm.
1884 Feb 7 Snow fell off and on. Depths 1 to 2".
1887 Feb 5 Snow fell during the day. Up to 7" on Twin Peaks.
1888 Jan 16
1896 Mar 31 Fell as brief heavy snow at night.
1932 Dec 11
1952 Jan 15
1962 Jan 21 Unofficial 3" in Sunset and Westlake Districts
1976 Feb 5 Up to 5" at top of Twin Peaks.
Canon 5D, Canon 100-400L, f/6.3 @ 30s, ISO 50.
I love how this perspective makes Coit Tower seem organic, growing out of the trees.
Canon 5D, Canon 100-400L
Since I was already there, I couldn't resist this common composition with the uncommon lighting. Once again, it only took 15 seconds to smooth the water out this much. It was wonderfully still. I just wish the tide had been a little higher to hide the rocks on the right... I'll take it, though :)
Canon 5D, Canon 24-70L, f/20, 15s, ISO 50.